by Tony Morgan
Tools are like windows to the past. They allow us to view the civilisations that created them. Obviously, the more wooden objects a society produces, the more tools it needs and uses.
In some instances, societies advanced slowly or even regressed when it came to the development and use of woodworking tools. For instance, the Roman joiner had a larger tool chest than his medieval counterpart.
Axes and adzes were among the first tools created. Woodworkers used the axe to fell trees, and the adze, whose blade was turned 90 degrees, to dress timber.
The Minoan civilisation of Crete used a combination axe-adze and invented the double-headed axe. The axe-adze was popular with Roman carpenters.
The handsaw was used in Egypt as far back as 1500 B.C. It had a broad blade, some as long as 20 inches, curved wooden handles, and irregular metal teeth. Since the blades were copper, a soft metal, they had to be pulled, not pushed. Because the carpenter could not bear down on the cutting stroke, sawing wood must have been a slow, tedious process.
The Romans improved the handsaw in two ways. They used iron for the blades, making them stiffer, and they set the teeth of the saw to project alternately right and left. This made the saw cut slightly wider than the blade and allowed a smoother movement.
The Romans also invented the frame saw and the stiffened back saw, with s blade that is reinforced at the top to afford straight-through cuts. The frame saw uses a narrow blade held in a wooden frame and is kept taut by tightening a cord. The principle of the frame saw lives on in the modern hacksaw.
Roman builders used the try square (also known as the carpenter’s square), the plumb line, and the chalk line, tools developed by the ancient Egyptians. Egyptian woodworkers also used wooden pegs instead of nails and made the holes with a bow drill, which they moved back and forth.
Since the bow drill is ineffective for heavy drilling and wastes energy, the Romans came up with a better tool: the auger. The auger has a short wooden cross-handle attached to a steel shaft whose tip is a spoon-shaped bit. It enabled the woodworker to apply great rotational force and heavy downward pressure.
Woodworkers in the Middle Ages created a breast auger for drilling deep holes in ships’ timbers. It is topped by a broad pad on which the carpenter rested his entire body weight.
The Romans improved upon the Egyptian’s wooden pegs by inventing forged iron nails. They also created another dual-purpose tool: the hammer.
In addition, the Romans invented the rule, the smooth plane, and several other types of planes. One historian has called the wood plane “the most important advance in the history of woodworking tools.”
Chisels are more ancient tools. Bronze Age carpenters used them with both integral handles and socketed wooden handles for house and furniture construction.
The first mallets, shaped like bowling pins, were pounded across the grain and didn’t last long. Eventually, a handle was fitted to a separate head. These made a more durable hammering surface.
Because of the vast amount of material to cover related to the history of woodworking, this article will focus on woodworking from ancient times to the Middle Ages, focusing on some of the more prominent civilisations. Woodworking conducted in other civilisations will be omitted – not because they are less important but again, due to the sheer volume of material. We will, however, briefly review some of the more prominent tools woodworkers used throughout history.
Ancient Egyptians (3100 B.C.)
Many ancient Egyptian drawings going back to 2000 B.C. depict wood furnishings such as beds, chairs, stools, tables, beds, and chests. There’s also physical evidence of these wooden objects, as many were found well-preserved in tombs due to the country’s dry climate. Even some sarcophagi (coffins) found in the tombs were crafted from wood.
Ancient Egyptian woodworkers were noted for regularly practising their craft and for developing techniques that advanced the craft for future generations. For instance, they invented the art of veneering, which is the practice of gluing thin slices of wood together.
The earliest examples of veneering are over 5,000 years old, found in the tomb of Semerkhet. Many of the pharaohs were buried with objects that had African ebony veneer and ivory inlays.
According to some scholars, Egyptians were the first to varnish, or “finish” their woodwork, though no one knows the composition of these “finishes”. Finishing is the art of placing some kind of protective sealant on wood materials in order to preserve them.
Ancient Egyptian woodworkers used a variety of tools, including axes, adzes, chisels, pull saws, and bow drills. During the earliest pre-dynastic period (circa 3100 B.C., about the time of the first pharaoh), they also used mortise and tenon joints to join pieces of wood. Pegs, dowels, and leather or cord lashings strengthened these joints. Animal glue was used during the New Kingdom period (1570 – 1069 B.C.).
Egyptologists found the world’s oldest piece of plywood in a third dynasty coffin. It was made of six layers of wood four millimeters thick held together by wooden pegs.
The Egyptians used a variety of wood to build their furniture and other objects. The wood came from native acacias, local sycamore, and tamarisk trees. However, when deforestation occurred in the Nile Valley starting from the Second Dynasty, they began importing cedar, Aleppo pine, boxwood, and oak from various parts of the Middle East. They also imported ebony from Egyptian colonies and used it to construct items that went into tombs such as inlaid wooden chests.
In the Book of Genesis, we encounter one of the Bible’s first woodworkers – Noah. After God revealed his plan to destroy a corrupt humanity by flooding the earth, He gave Noah a 120-year project – build an ark of cypress wood coated with pitch inside and out.
God furnished him and his three sons with precise instructions and dimensions. The ark was to be 300 cubits long, 50 cubits wide and 30 cubits high. If we convert cubits into feet based on the common cubit of 17.5 inches used by the Hebrews, we get an Ark that is at least 450 feet long, 75 feet wide, and 45 feet tall (about the size of a 4-story building).
The sheer size of the Ark staggers the imagination and seems an impossible task for Noah and his sons. The Scriptures, however, do not suggest that Noah had to build the ark without the help of hired men. After all, the size of the timbers for such a huge vessel would likely have been beyond the powers of four men to handle.
After the flood, the ark came to rest upon the mountains of Ararat. The mountains of Ararat are in present-day Turkey.
Old Testament Woodworkers
While Noah and his woodworking crew displayed exceptional skills in building the ark, the Hebrew Bible paints a different picture of the Israelite woodworkers during the time of Solomon. As written in Chapter 5 of 1 Kings, Solomon had to import Phoenician artisans from the coastal city of Tyre to build his temple.
The Phoenicians were skilled in intricate woodworking such as making furniture and inlaying them with ivory carvings, but as the years passed, the Israelite’s woodworking skills improved. In Isaiah 44:13, the prophet describes the carpenter and his tools, suggesting that during the era of the kings, the Israelites were becoming more adept and involved in carpentry. In fact, carpenters were among those Israelites exiled to Babylon after the Babylonians captured Jerusalem in 597 B.C.
Lebanese cedar, imported from Lebanon, was one of the most popular building materials used in the Biblical world by ancient woodworkers because of its high quality, pleasant scent, and resistance to both rot and insects. Many temples, palaces, and seagoing vessels were made from this wood, including Solomon’s famed Temple.
This cedar was also used in the construction of the so-called “Jesus Boat” of the first century A.D. In 1986, two brothers discovered the boat in the northwestern shore of the Sea of Galilee after a tremendous drought had lowered the water level. It was similar to the boats Jesus and his disciples would have used to cross and fish the Sea of Galilee.
Almost 27 feet long and over 7 feet wide, the boat’s types of nails and hull construction placed the boat’s origin between 100 B.C. and 100 A.D. It was the first near-complete boat ever found in the Sea of Galilee.
720 B.C. Chinese Woodworkers
Early Chinese civilisations also promoted the art of woodworking. It’s believed that woodworking mushroomed in that country starting around 720 B.C. When that happened, the Chinese developed many sophisticated applications of woodworking, including precise measurements used for making pots, tables, and other pieces of furniture.
During this time, a well-known carpenter, Lu Ban, was credited as being one of the originators of woodworking in China. It’s believed he brought the plane, chalk line, and other tools to China. Some 1500 years after his death, his teachings were compiled in the book Lu Ban Jing (“Manuscript of Lu Ban”).
This book documented his work as a carpenter and contained descriptions of dimensions for building various objects – such as flower pots, tables, and altars. It also provided specific instructions concerning Feng Shui (wind and water).
Feng Shui is the ancient Chinese practice of geomancy, that is, the positioning of physical objects in strategic locations in the home and in work environments to stimulate optimal wellness, health, and happiness. Ironically, the book says almost nothing of the intricate glue-less and nail-less joinery for which Chinese furniture was so famous.
Ancient Japanese Woodworkers
Woodworkers today who practice the ancient oriental woodworking techniques take pride in their mastery of the fitted joint and their skill of not using electric equipment, nails or glue to hold their pieces together. Japan is where this style of woodworking primarily originated.
One reason for Japan’s success in such excellent woodworking was that they developed high-carbon steel tools early in their history. Their use of high-quality blades and the engineering of the lathe made ancient Japanese woodworkers leaders in crafting round and curved objects. Cooperage (the making of barrels and casks) and bentwood works (wood that is artificially shaped for use in making furniture) were popular in Japan for everyday household objects.
Japanese woodworkers also made exquisitely-sculpted scenery. Their popularity and the techniques used in the process spread across Southeast Asia.
Another highly skilled form of woodworking was blocked prints – made from inked blocks of wood. Lacquering also was developed in the orient. It is a technique dominant in Japan, China, and Korea.
New Testament Woodworkers
Recorded in the Gospels of Matthew and Mark, we find that Jesus’ adopted father Joseph was a carpenter. In the Jewish culture of that time (1st century), the father was required to teach the son his trade at age 12. Being a good Jew, Joseph would have followed this practice and began teaching Jesus at 12 his carpentry trade.
Carpenters of the time of Jesus were often called upon to construct or repair ploughs or threshing sleds, or cut a roofing beam or shape a yoke for a new team of oxen. They also met the demands for new doors and door frames, or a storage chest, and made a variety of other repairs.
Sometimes they helped with the construction of larger building projects, such as building a wood balcony, or making doors or stairs for a new synagogue. And, on occasion, a master carpenter would be asked to create a holy object such as a Torah cabinet for the storage of Scripture scrolls.
Hebrew carpenters used a variety of wood species depending on what the job required. They included cypress, oak, ash, sycamore and olive. If it were a special project, they might have to import expensive cedar from Lebanon, or use the stock of vines for small projects.
When a carpenter needed wood, he sawed trees into boards using a large bronze saw with the aid of other workers. He cut thin boards from tree trunks. Trees in that region, however, were not large or straight.
Among the carpenter’s tools mentioned in ancient sources were the saw, mallet, adze, plummet and line, chisel, rule stick, plane, and squares. They also used the bow drill, held in one hand by the handle, which they rapidly set in motion by drawing the attached bow back and forth.
The bow-lathe was a crude primitive tool, yet a skilled woodworker could produce decorative spindles and bowls with it much like today’s wood turners. He turned the wood by pulling a leather strap back and forth like a bow. This motion moved the lathe and enabled the cut to be made in the turning wood.
With these tools at hand, carpenters from Biblical times possessed the skill to create intricately dovetailed, metered and dowelled joints. Combining considerable skill and patience, they often created splendid wood products.
800 B.C. Arabian Woodworkers
Woodworking in the Middle East goes back for many centuries, even to Biblical times, as evidenced in the descriptions of some items. For instance, the Book of Exodus chronicles the construction of wooden holy items for the Tabernacle of the ancient Hebrews.
The ancient woodworkers of the Near East built great wooden boats out of timber that grew in the Anatolian plateau (the Asian part of Turkey) along the Levantine coast (the Mediterranean coastal lands of modern-day Turkey, Syria, and Lebanon). This wood was so coveted that invading armies often demanded it as a tribute.
Archaeologists found furniture crafted from wood inlaid with bone, ivory or metal that dated as far back as 800 B.C. at Gordion, the alleged home of the mythical King Midas. Near East woodworkers used lathes as well as wedges, mallets, chisels, hammers, drills, plumb bobs, compasses, and other basic tools.
The wooden windows of the early mosques and private houses still seen today in the Arabic culture were crafted at the height of ancient Near East woodcarving. The Muslim woodcarvers of Persia, Syria, Egypt and Spain designed and created exquisite panelling and other decorations for wall linings, ceilings, pulpits, and all kinds of fittings and furniture. Their woodwork was elaborate and minutely delicate.
The Roman Empire also had its share of skilled woodworkers. Wielding adzes, lathes, files, planes, saws, and drills, including the bow drill, they constructed aqueducts and waterworks using wooden scaffolding, built impressive warships and barges and erected strong and lethal battering rams and catapults for attacking enemy cities.
They also crafted furniture, including tables and chairs that stylistically represented the arms of animals or that were carved to represent mythological creatures.
Archaeologists were delighted to find a furniture shop intact in Pompeii, an ancient resort city destroyed in 79 A.D. when Mt. Vesuvius erupted. They also discovered wooden furniture and decorations, and the methods of building.
Roman woodworkers used a variety of woods for their wooden creations. Wood species included ilex, beech, maple, elm, olive, and ash. The most prized wood in the Roman Empire was the African wood Tthyine, which was believed to have mystical powers. It was used by both the Romans and Greeks to make furniture.
Thyine, from the Cedar family, is a fragrant and beautiful wood the Romans called citrus or citron wood. It comes from a North African tree and was alluded to in Revelation 18:12 as being among the items which would no longer be purchased when Babylon fell.
400 A.D. Middle Ages
The medieval period, also known as the Middle Ages, occurred during the one thousand years between the fall of Rome and the Renaissance, from about 400 A.D. to the 15th century. Since wood was the most common building material in the Middle Ages, carpenters prospered. They also were considered to be among the most skilled craftsmen.
Carpenters, however, had to belong to guilds – groups that were designed to protect the interests of people in certain occupations. They also were required to do apprenticeships with established carpenters. Their tools were much simpler than what we use today, but they had to know how to use them as well as know math and woodworking. This knowledge was necessary in order to create furniture, wagons, and homes for people of that era – even kings and lords.
All buildings used wood in some way. Buildings were sometimes constructed almost entirely out of wood, from the framing for their walls and roofs to their siding and shingles. Even stone buildings required considerable wooden construction. For instance, while being built, wood was needed for scaffolding, ramps and frames to support arches until the mortar hardened. Later, wood was used for doors, window frames, floors, roof beams, and some interior walls.
Although most of the wooden buildings of the Middle Ages have long since vanished, we still have contemporary illustrations of buildings and other wooden structures either completed or under construction.
Woodworkers of the Middle Ages also were skilled in creating wooden figurines and statues, some of which still stand today. These Byzantine or Gothic art pieces showed that woodworkers exhibited extreme patience in their woodworking and their love of this skill.
13 thoughts on “Ancient tools & History of Woodworking”
When scanning your blog tonight I found this post. Good to see someone else that has a deep interest in the history of woodworking arts. This has been (particularity in the folk and indigenous styles) of interest to me for over 4 decades.. Middle Eastern, African and Asian modalities in particular…as well as my own Native American.
As to the Chinese civilization wood culture, the date of 720 BCE is hardly even close to their beginnings in the wondrous woodworking history they have…not even close to the beginning!
As far back as the Xia Dynasty (c. 2070–c. 1600 BCE) the Chinese had ceramic, metal and wood arts unrelieved in any human culture within the world as we now understand it. Many humans elsewhere were still living in caves and/or under very primitive conditions, and even in the Middle East it would be hard pressed to find similar advancements. Next came the Shang Dynasty (1600 to 1046 BCE) and the development of building codes and elevated methods of working wood, laying the foundation for the Song Dynasty and the still applicable text today (as just one example) of the 營造法式. (Yingzao Fashi) which reflects just how extensive and acient their wood culture is. Making it one of the oldest in the world. These Building Codes they created and organized mandated principles in stone and timber framing (my day to day wood art form) that is barely reviled today in architectural standards.
魯班 (Lu Ban) was as much mythology as he was historical, though his existence is without question as an actual figure of history. However, there was woodworking (very extensive woodworking) in China millenia before his legends began. His later accounts recorded in the 魯班經 (Lu Ban jing) is the well know and common account, yet more is being discovered all the time that seems to place even older and more extensive skills within this culture, especially around wood. Also the reference to the “chalk line” would be better described as an “ink line” and a foundational element to there system of archtiecture, layout and general understanding on many aspects of design. These Ink Lines and the correlated system of layout application is also foundational to the systems in Ancient Korea and Japan.
Without really getting into reading and researching these Asian wood cultures in the native language, one can barely scratch the surface of just how extensive they are.
Great post and I enjoyed reading it…
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Thanks Jay glad you enjoyed it and your knowledge of history is well informed.
I wish I had more time now to get into more…There is just so much and so much misunderstood (or not known) to the Western world about the wood cultures of this marvelous planet we live on. How acient they are in form and function seems to escape most modern people. From the extensive timber framing and wood working in the Zafimaniry people of Africa to the deep reaches within the valleys of the Himalaya…Just so much out there old and still going on even today.
I loved reading your view on Lost Art Press about tooling and your perspective (I think) was very enlightened and reflected a much more global and pragmatic perspective than most from European based first world modern cultures that have spread around the globe. If there is ever anything that crosses your radar that you are curious about or want to try, I might be able to shed some light on it or (at least) know where the information is. With your skill sets I think I see a timber frame in your future…Just think of it as a big Clock Case you live or work inside…ha, ha…:)
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Timber framing hmm it has crossed my mind several times but I neither have the finance nor the know how to begin such a project. But if I won the lottery then I would employ Mr chickadee to be my guide.
Salko…you need not a lottery to have a timber frame…!!!
Joshua (aka Mr. Chickadee) is a friend and student of mine. He reflects exactly what determination, and the “I can” attitude gives a person willing to work. What he has truly actually mastered is the art of embracing the “never give up” attitude and “taking one step at a time” approach to his work. Plus he has truly embraced starting with the more traditional and simplistic folk styles that all other work is built upon.
I have novice Timberwright who have never built a frame before around the globe that I have assisted and supported now that have frames they love and adore. Drop me an email sometime if you really have had a Timber Frame structure cross your mind. It can be a reality for probably less than you may think, but you won’t know unless we really look at the “Meat and Potatoes” of it…Most often it is the fear of the unknown that stops most from most things…From reading your blog and postings…I think a timber frame is probably a rather simple task for your skill sets…
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Absolutely AMAZING post. I love woodworking, but it is wonderful and very enlightening to get to know where and how it was developed.
The history of woodworking in Europe almost always revolves around Rome yet disregarding the other cultures. There’s absolutely stunning work from the Hallstatt and La Tene cultures but it’s usually metal work which makes me wonder what happened to all the art made from wood
That’s a good and thought provoking point.
Hello Neetblog, Salko, (et al.)
The Roman culture does seem to get the “lions share” of attention for many things, and often quoted as the “orgin” for many things they actually took from other cultures that practiced them thousands of years before the Romans ever did. Conservatively, in my studies, most “things” Roman and actually come from someplace else and/or was modified by them for their use.
Once we get past Roman culture then we have to deal with the academic and political aspects of a huge “Eurocentirc” slant on many things…then with each subculture itself and what they “believe” to be a truth within history. The Hallstatt and La Tene cultures are just many spreading all accross Europe and doesn’t even begin to cover what was going on in Africa, and Asia…
As Salko stated…very thought provoking…
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I was watching a documentary where they stated that the Romans took bits and pieces of what they liked from different nations they conquered and made their own version. Much like Chippendale in his design.
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My husband is a builder and I have been trying to find a picture of Jesus as a carpenter like the one at the top of this article. Will you share with me where to get a copy suitable for framing?
Hello Carol, the picture I used in my post I found on the internet. It was so long ago that I do not remember where I found it. None the less these pictures are not high resolution pictures worthy of print. Your best solution in this case would be to pay a graphic designer or find a student who is proficient in Adobe Illustrator and have them redraw the picture. This would be in vector format so there would be no pixilation and the colures would be in CMYK for print. Hope this helps.